This week, each of the three remaining contestants sang three songs. Two weeks ago, each of the four remaining contestants sang four songs, and Ryan spent the hour complaining that they had to move REALLY fast to fit eight songs in. Last night, they squeezed in nine without a problem and only ran their typical one minute over. So what’s the diff, guys?
The three songs were: Singer’s choice, Judge’s Choice, and Producer’s Choice.
Jordin was given “Wishing On A Star” by Simon, who clearly wants to move her into more of an R&B sound. When she does a record, this is likely what it will sound like, and most likely why I won’t be buying it. She got drowned out a little by the band in spots, but she sounded great otherwise. The dress was horrible, though.
The producers then gave her “She Works Hard For The Money,” which sounded a little pitchy early on, but otherwise worked fine. It made Simon positively giddy. He didn’t complain that the song sounded old, though he did with her last song, which came out in the same decade. Go figure.
Jordin chose “I Who Have Nothing,” against Simon’s wishes. I don’t care — I still get goosebumps when she does that song. I think it’s her signature song for the season and the one she’s done best with.
Blake got the Police’s “Roxanne” from Paula. She must really hate him, given how many Police songs have gone horribly awry this season. Again, the producers added a bit of echo to his voice in the song, but it wasn’t bad. It wasn’t spectacular, but it worked for Blake. He wasn’t trying to be something he wasn’t. He didn’t reach up for the falsetto he doesn’t have. He kept the song grounded, though it’s a bit of a boring and repetitious song for IDOL.
The producers then gave him Maroon 5’s “This Love,” which made me jump. I know that somewhere this season I made the comment that if this Idol thing doesn’t work out for him, he should join Maroon 5. Dangit, I can’t find that in the archives. I either wrote it in my notes and never typed it up, or I used it in the comments somewhere, which don’t get searched by the blog. Argh! (I did make the comment about a Rock Star: Supernova contestant last summer, though.)
In any case, he did a good job with a song that’s so quirky that it’s like the Police song — you can’t picture anyone else singing it any other way. It needed a little more beatboxing, too. I thought it would have been appropriate to add it in one or two more places.
Somewhere over the course of the night, the Coca-Cola question was asked of Blake, “Who would play you in a movie about your life?” I refer you to my comments from the Round of 16: ” Blake Lewis began by showing off his Jim Carrey impersonation improvisational skills. . .”
And then Blake answered, “Jim Carrey.” Whoo! I get points for that one.
Finally, Blake chose to sing “When I Get You Alone,” by Alan Thicke’s kid. It’s a funky upbeat number that allowed for the beatboxing. I liked it, but thought he would have done better going back to his Bon Jovi song.
Overall, Blake had three good songs for his vocals and performing abilities, but none of them are going to prove to be “Idol Moments,” or the stuff that will prompt the extra voters he needs to vote for him.
Melinda started with Randy’s recommendation, Whitney Houston’s “I Believe In You And Me.” I thought she missed a high note or two, but you almost couldn’t tell. She’s a professional, and can sing anything. Still, the first half of the song was kind of boring for me.
The producers gave her Ike and Tina Turner’s “Nutbush City Limits,” which further proved that Melinda can sing anything well. It was interesting seeing her go rock and roll for us this week.
Finally, Melinda went with “I’m A Woman” and brought out the background singers to the stage to sing it with her. Strong stuff again.
Melinda is a chameleon. She can sing anything. But what should she sing? What’s her particular style? What does she add to each song that’s uniquely hers? I haven’t a clue. Amazing singer, though.
It’s tough to figure out who won the night. You have three completely different singers on stage now. I suppose you could make the argument that Melinda and Jordin are in the same category, with Blake singing a different style that will pail by comparison on most nights. As I said last week, beatboxing is a novelty, while holding a note for ten seconds and wiggling one’s chin is considered applause-worthy.
You could, then, make the argument that Melinda and Jordin will split the vote and Blake will go through. Conventional Wisdom right know seems to be that Blake is the goner tonight. And wasn’t Blake in the bottom two last week? But won’t that spur his fans to vote even more this week? On the other hand, everyone who’s gone first in this week goes home. Has Melinda been TOO consistent from week to week? You need to be peaking in the final weeks, not just giving more great performances. (I know that’s an awful thing to say, but it’s reality.) And will America hold it against Melinda that she’s already an accomplished professional singer, or that she’s so much older than the others? Will America listen to Simon and not vote for Jordin because she sings songs that are too old for her? Or because she’s too young, has too much room to grow yet, or wears awful clothes most nights? (If the latter, Melinda is in trouble, too.)
I thought at the beginning of the season that the final two would be Melinda and Lakisha, and that we’d have a battle of divas like never before. So I’ll stick with that thinking, but sub in Jordin for Lakisha. I’ll miss Blake, though. He was always entertaining.